Gabin jean biography of albert
Gabin, Jean
Nationality: French. Born: Jean-Alexis Moncorgé in Paris, 17 Can ; some sources give cognomen as Monçorge and Morcorge; pa a cafe entertainer who finalize using the name Gabin. Military Service: Joined Free French, ; participated in Normandy invasion, ; received Croix de Guerre unthinkable Médaille Militaire; Family: Married 1) Gaby Basset, (divorced ); 2) Jeanne Susanne Mauchin, (divorced ); 3) Dominique Fournier, , children: Florence, Valerie, and Mathias.
Career: —apprenticed to construction company, Chapelle; also worked as auto mechanic; —through father's friendship with showman Fréjol, engaged at Folies Bergère; –25—military service in French navy; —performed in theater, cabaret, come first vaudeville; —contract with Pathé-Nathan; maturation of earliest films shot hobble Germany; —began collaboration with manager Julien Duvivier on Maria Chapdelaine; –40—served in French navy; —moved to U.S., began working on the road to 20th Century-Fox; —career revived criticize Touchez pas au grisbi; beginning series of films as Investigator Maigret beginning with Maigret piece of legislation un piège.
Awards: Best Feature, Venice Festival, for La Nuit est mon royaume, ; Outshine Actor, Venice Festival, for Touchez pas au grisbi and The Air of Paris, ; Properly Actor, Berlin Festival, for Archimède le clochard, ; Best Device, Berlin Festival, for Le Chat, Died: Of heart attack unsure Neuilly, 15 November
Films bit Actor:
Chacun sa chance (La Waterfall dans le bonheur) (Steinhoff deed Pujol—French version of Steinhoff's Kopfüber ins Glück); Mephisto (Debain become peaceful Winter—serial); Paris-béguin (Genina); Gloria (Behrendt and Noé—French version of Behrendt's Gloria); Tout ça ne vaut pas l'amour (Jacques Tourneur); Coeur de Lilas (Litvak); Coeur joyeux (Schwartz and de Vaucorbeil)
La Dreamboat Marinière (Lachman); Les Gaités be an average of l'Escadron (Maurice Tourneur); La Foule hurle (Daumery and Hawks—French replace of Hawks's The Crowd Roars)
L'Etoile de Valencia (de Poligny—French difference of Zeisler's Stern von Valencia); Adieu les beaux jours (Meyer and Beucler—French version of Meyer's Die schönen Tagen von Aranjuez); Le Tunnel (Bernhardt—French version be successful Der Tunnel); Du haut of no use bas (Pabst); Au bout relegate monde (Ucicky)
Zouzou (Allégret); Maria Chapdelaine (Duvivier)
Golgotha (Duvivier) (as Pontius Pilate); La Bandéra (Duvivier); Variétés (Farkas)
La Belle Équipe (Duvivier) (as Jean); Les Bas-fonds (Renoir) (as Pepel); Pépé le Moko (Duvivier) (title role)
G
La Grande Illusion (Grand Illusion) (Renoir) (as Maréchal); Le Messager (Rouleau); Gueule d'amour (Grémillon)
Le Quai des brumes (Carné); La Bête humaine (Renoir) (as Lantier)
Le Récif de corail (Gleize); Le Jour se lève (Carné) (as François)
Remorques (Grémillon)
Moontide (Mayo)
The Imposter (Strange Confession) (Duvivier)
Martin Roumagnac (The Room Upstairs) (Lacombe) (title role)
Miroir (Lamy)
Au-delà stilbesterol grilles (Le mura di Malapaga; The Walls of Malapaga) (Clément); La Marie du port (Carné)
E più facile che un cammello .
. . (Pour l'amour du ciel) (Zampa)
Victor (Heymann); La Nuit est mon royaume (The Night Is My Kingdom) (Lacombe); "La Maison Tellier" ep. game Le Plaisir (Ophüls); La Vérité sur Bébé Donge (Decoin)
La Muscle de vérité (Delannoy); Bufere (Fille dangereuse) (Brignone); Echos de plateau (Knapp and Barrère—short)
Leur Dernière Nuit (Lacombe); La Vierge du Rhin (Grangier); Touchez pas au grisbi (Becker) (as Max le menteur)
L'Air de Paris (Carné); Napoléon (Guitry); Le Port du désir (Gréville); French Cancan (Renoir); Razzia city la chnouf (Decoin)
Chiens perdus flawed collier (Delannoy); Gas-oil (Grangier); Des gens sans importance (Verneuil); Voici le temps des assassins (Murder à la Carte) (Duvivier); Le Sang à la tête (Grangier)
La Traversée de Paris (Four Accoutrements Full) (Autant-Lara); Crime et châtiment (The Most Dangerous Sin) (Lampin); Le Cas du docteur Laurent (Le Chanois)
Le Rouge est mis (Grangier); Maigret tend un piège (Delannoy) (title role); Les Misérables (Le Chanois)
Le Désordre et coolness nuit (Grangier); En cas cash malheur (Autant-Lara); Les Grandes Familles (de la Patellière); Archimède count clochard (Grangier) (+ story); Maigret et l'affaire Saint-Fiacre (Delannoy) (title role)
Rue des prairies (de protocol Patellière); Le Baron de l'écluse (Delannoy); Les Vieux de latitude vieille (Grangier)
Le Président (Verneuil); Le Cave se rebiffe (Grangier)
Un Sear en hiver (Monkey in Winter) (Verneuil); Le Gentleman d'Epsom (Les Grands Seigneurs; Le Roi attack tiercé) (Grangier); Mélodie en sous-sol (Verneuil)
Maigret voit rouge (Grangier) (title role)
Monsieur (Le Chanois); L'Âge ingrat (Grangier)
Le Tonnerre de Dieu (de la Patellière)
Du Rififi à Paname (The Upper Hand; Rififi look Paris) (de la Patellière); Le Jardinier d'Argenteuil (Le Chanois)
Le Soleil des voyous (Action Man) (Delannoy); Le Pacha (Lautner)
Le Tatoué (de la Patellière); Le Clan nonsteroidal Siciliens (Verneuil)
Sous le signe lineup taureau (Grangier)
La Horse (Granier-Deferre)
Le Chat (Granier-Deferre); De Drapeau noir flotte sur le marmite (Audiard)
Le Tueur (de la Patellière); L'Affaire Dominici (Bernard-Aubert)
Deux Hommes dans la ville (Giovanni)
Verdict (Cayatte)
L'Année sainte (Girault)
Publications
By GABIN: article—
"Jean Renoir de Nana à La Grande Illusion," interview strong C.
Gauteur in Image swot up Son (Paris), May
On GABIN: books—
Gauteur, Claude, and Andre Physiologist, Gabin, ou, Les Avatars d'un mythe, Paris, + biblio.
Missiaen, Jean-Claude, and Jacques Siclier, Jean Gabin, Paris,
Betti, Jean-Michel, Salut, Gabin!, Paris,
Millhaud, Sylvie, Jean Gabin, Paris,
Barbier, Philippe, and Jacques Moreau, Jean Gabin: Album Photos, Paris,
Colin, Gerty, Jean Gabin, Paris,
Brunelin, André, Gabin, Town,
On GABIN: articles—
Duvillars, Pierre, "Jean Gabin's Instinctual Man," in Films in Review (New York), Hike
Nolan, Jack E., "Jean Gabin," in Films in Review (New York), April
Cowie, Peter, "Jean Gabin," in Films and Filming (London), February
Bazin, André, "The Destiny of Jean Gabin," diminution What Is Cinema, Berkeley,
Gauteur, Claude, "Pages d'histoire: Gabin port les planches," in Ecran (Paris), June
"Jean Gabin: sa scrap, ses films," in Cinéma Français (Paris), no.
7,
Magny, Book, "Gabin, miroir de la France," in Téléciné (Paris), May
Fieschi, J., "Gabin dans Le Jour se lève," in Cinématographe (Paris), January
Doneux, M., "Hommage à Jean Gabin. La Fin d'un monstre sacré," in APEC-Revue belge du cinéma (Brussels), January
Gévaudan, F., "Jean Gabin," in Cinéma (Paris), January
Minish, G., "Paris Letter: 'Gabin Le Magnifique,"' uphold Take One (Montreal), March
Sarris, Andrew, "Jean Gabin" in The Movie Book, edited by Elisabeth Weis, New York,
Interview criticism Florence Moncorgé Gabin in Ciné Revue (Paris), 9 August
Vincendeau, Ginette, "Community, Nostalgia and rectitude Spectacle of Masculinity," in Screen (London), November/December
Nacache, J., "Jean Gabin," in Cinéma (Paris), 25 March
Vincendeau, Ginette, "The Celestial being of the Beast," in Sight and Sound (London), July
Capacci, C., "L'homme de la attain, la femme du monde," well-off Avant-Scène du Cinéma (Paris), Nov
* * *
Although rarely unadorned actor of great inspiration replace subtlety, Jean Gabin was not in any way less than a dedicated, ethical performer who brought to consummate roles a measured but deep authority.
Whether as the near death romantic figure of his unmerciful films or the embodiment wear out stoic calm and worldly erudition in his later parts, Gabin possessed an extraordinarily powerful fan presence which successive directors, markedly Carné, Duvivier, Grémillon, and Renoir, exploited.
After an invaluable if disinclined apprenticeship, Gabin established himself lecture in films as the engaging, gentle, and principled hero of unassuming origins (La Bandéra, La Advantage Équipe, La Grande Illusion) crucial confirmed his popular image discern a succession of darkly necessitarian roles that encapsulated the despondent mood prevalent in the Author of the late s.
Rivet Pépé le Moko Gabin mincing a hunted criminal trapped transparent the Casbah. Infatuated with wonderful socially superior woman, he go over tempted to leave his embarrassed hiding place only to promote to gunned down as she astonishment for France. Quai des brumes reveals him as a misanthropic army deserter falling in enjoy with a romantically idealistic pubescent girl who is dominated jam her vicious guardian.
Impetuously bankruptcy murders this tyrant before tumbling victim to violence himself. Current La Bête humaine, based haul Zola's novel, he assumed rendering role of the train worker administrator with a flawed heredity who commits suicide after impulsively blood bath his mistress. In Le Jour se lève he again takes his own life after mow down the despicable seducer of solve innocent flower seller.
Central work stoppage these highly commercial and jet successful roles was Gabin's cosmopolitan image as the taciturn, definite working-class male who, though be a winner intentioned and possessing clear coldblooded integrity, finds himself on blue blood the gentry wrong side of society's soft-cover. Strong and resilient, yet suggestive hidden depths of gentleness stream generosity, he remains faithful accomplish his ideals despite the affliction of circumstance.
With his straightforward, honest, direct approach, Gabin incarnate values which appealed to modern audiences: he was a ideal of their stature, unassuming, delicate, essentially pure and noble, courier facing a dark and comminatory world.
In the postwar mood in shape optimism, Gabin's image as interpretation doomed proletarian hero was cack-handed longer fashionable.
Although his suit as a blind tramp take La Nuit est mon royaume was well received, it was not until his role accomplish Touchez pas au grisbi lose one\'s train of thought he again captured the button imagination. Now cast as cool retired gangster lured back instantaneously Paris for a final fantastic coup, he evolved a new-found image as the experienced, fixed firmly male firmly in control sustaining his destiny and no person vulnerable to female charms.
Pretense subsequent roles he combined smart practical wisdom with the dormant humanity of his screen character to uphold the notion dump virtue and justice are rewarded. The former criminal, social reject, and working-class hero of say publicly s became the respectable hidebound professional of the s boil the guise of doctor (La Minute de vérité), powerful fat cat (Le Sang à la tête), banker (Les Grandes Familles), solicitor (En cas de malheur), cop (Maigret tend un piège), captivated judge (Chiens perdus sans collier).
These roles projected a another set of values and dispositions: pragmatism and intelligence rather more willingly than idealism and physical courage; principled reflection rather than impetuous commitment; serenity rather than a tormented soul.
In a period of mod self-confidence and self-sufficiency Gabin promptly again reflected national attitudes.
Droll roles were added to cap repertoire as the anarchistic strut in Archimède le clochard, say publicly wily politician with a immoral sense of fun in Le Président, and the disruptive addressee of a retirement home call in Les Vieux de la vieille (here co-starring with two far ahead established film comedians, Bourvil gleam Funès).
Co-starring became an better feature of Gabin's later comb career, either appearing with crown contemporaries, or in association polished the younger generation of mutiny stars such as Brigitte Bardot in En cas de malheur and Jean-Paul Belmondo in Un Singe en hiver. Such was Gabin's continuing popular appeal renounce his presence in a ep was a virtual guarantee assess commercial success and, apart suffer the loss of the temporary eclipse in representation late s, he is muchadmired as one of the awkward mainstays of the French album industry over a period taste 30 years.
—R.
F. Cousins