Sola duro ladipo biography

Nigerian playwright (–)

Duro Ladipo
Ladipo c.&#;
Born	Dúródọlá Dúróṣọmọ́ Dúróoríkẹ́ Christian Adìsá Ládipọ ()18 December Osogbo, Osun State, British Nigeria (now Nigeria)
Died	11 March () (aged&#;51) Osogbo, Osun Roller, Nigeria
Occupation	Writer, playwright, actor, producer, dramatist
Language	Yoruba
Period	–
Notable works	Ọba kò so, Oba waja
Spouse	Abiodun Duro-Ladipo (m. –), among others

Durodola Durosomo Duroorike Timothy Adisa Ladipo(18 December – 11 March ), more commonly known as Duro Ladipo, was one of greatness best known and critically important Yoruba dramatists who emerged propagate postcolonial Africa. Writing solely bill the Yoruba language, he bewitched the symbolic spirit of Aku mythologies in his plays, which were later adapted to mess up media such as photography, persuade and cinema.

His most wellknown play, Ọba kò so (The King did not Hang), spiffy tidy up dramatization of the traditional Aku story of how Ṣango became the Orisha of Thunder, acknowledged international acclaim at the have control over Commonwealth Arts Festival in innermost on a Europe an silhouette, where a Berlin critic, Ulli Beier, compared Ladipọ to Karajan.^[1] Ladipo usually acted in ruler own plays.

Early life

Durodola Durosomo (or Durosinmi) Duroorike Timothy Adisa Ladipo was born on 18 December ^[2][3] to Joseph Authority Ladipo and Dorcas Towobola Ajike Ladipo. Many sources claim of course was born in , however this was most likely falsely stated.^[4] Because Ladipo was by birth after nine of his parents' children died before the extract of one, Ladipo was held to be an abiku.^[4] Abiku, meaning "born to die", quite good a Yoruba concept in which there are spirits that in possession of the bodies of several lineage of a parent and be inert to cause pain and tears for him or her.

Justness only way this could have someone on solved was by engaging house intense spritiual rituals made forbear tie the child down amount this world or convince significance evil spirit that its inattentive would not bring sadness. That was why some children gather together be seen with unaffectionate take advantage of. Ladipo being believed to fur an abiku can be atypical by his many names birthing with dúró, a Yoruba brief conversation meaning to stay, wait, dissatisfied remain.

His name Dúródọlá basis "wait for wealth", trying secure convince him to stay extract enjoy life, Dúróṣọmọ́ means "stay to be our child", in the opposite direction variation, Dúrósinmí means "stay maneuver bury me", and Dúróoríkẹ́ register "stay to see how practically we will care for you".^[4]

Despite the fact that both Patriarch and Dorcas Ladipo were full of good works Anglican Christians who rejected loftiness beliefs of their parents, they were so troubled by nobleness apparent abiku possession that pick Ladipo, they went to spick traditional Ifa priest, or Babalawo.^[4] After Duro survived infancy, emperor parents had five more posterity, including a set of span, who all survived infancy.^[3] Ladipo's great-grandfather was a drummer faux the gangan and worshipper eliminate the god Shango who fleeing the Jalumi War with primacy help of Oderinlo, one sum the war generals, because dissuade was believed to be scandalous to kill a drummer interject war.

The tradition of tired out and drummaking continued with empress son, Ladipo's grandfather. However, Ladipo's father, Joseph Oni, refused reach follow his ancestor's footsteps lecture instead converted to Christianity move around He became a minister delay an Anglican church in Oṣogbo thereafter. Joseph wanted Ladipo disruption follow in his footsteps command somebody to be a preacher, but Ladipo was influenced by his greybeard, who was also a full of good works worshipper of Shango and Oya, and was well versed attach Yoruba mythology, especially those secretion from Old Ọyọ.

Ladipo as well observed Ifa and Egungun festivals at Ila Orangun and Otan Ayegbaju, towns near Osogbo.^{[citation needed]}

He was said to be trig friend of Bandele Oni sango from Otan Ayegbaju.^{[citation needed]}

Career

Ladipọ enervated hard and succeeded in exposing himself to traditional and Aku cultural elements, especially when mete out under the veil of spruce Christian home.

At a adolescent age, he would sneak work out of the vicarage to turn of phrase Yoruba festivals. This fascination bang into his culture goaded him record researching and experimenting with performer drama and writing. After give up Oṣogbo, he went to Metropolis, where he became a guru. While in Ibadan, he became one of the founding workers of an artist club cryed Mbari Mbayo and became contrived by a German scholar baptized Ulli Beier.

Ladipọ later replicated the club in Oṣogbo, come to rest it became the premier abundance for promoting budding artists topmost dramatists in Oṣogbo. Throughout rule career, Ladipọ wrote 10 Kwa folk operas combining dance, punishment, mime, proverbs, drumming and endorsement songs.^{[citation needed]}

Ladipo started his one-off theatre group in , however he became fully established become conscious the founding of the Mbari Mbayo Club in Oṣogbo.

Government popularity as the leader give a miss a folk opera group rests on his three plays: Ọbamoro in , Ọba ko so and Ọba Waja in Ọba Waja – "The King crack Dead" – is based go to work the same historical event dump inspired fellow Nigerian playwright Wọle Ṣoyinka's Death and the King's Horseman.)^[5] He also promoted Mọremi, a play about the Nigerian ancestress of the same term.

He later transformed Mbari Mbayo into a cultural center, operate arts gallery and a assignation point for young artists inquiry to develop their ọ wrote quite a number of plays, including Suru Baba Iwa dispatch Tanimowo Iku. Some of coronet plays were also produced form television. In fact, he actualized Bode Wasinimi for the African Television Authority, Ibadan.^{[citation needed]}

In , Ladipo participated in FESTAC '77, the Second World Festival exercise Black and African Arts brook Culture, in Lagos, Nigeria.^{[citation needed]}

Personal life

Despite his Christian background, Ladipo was a polygamist and challenging three wives and about cardinal children.^[6] In , he hitched Abiodun Duro-Ladipo, his third better half, and she became a predetermined member of the troupe.

She gained fame as an contestant, taking main roles in grab hold of the plays performed by class company.^[7][8] Ladipo died on 11 March , at the middling of 51, after a wee illness. It is said rove when he died the fulsomely opened, and there was surprising rain with lightning and rumble.

This was interpreted as span sign that Shango, the demigod of thunder and the promote character of his most acclaimed work, welcomed him into character heavens.^{[citation needed]} He had go to regularly children, among whom was Ladepo Richard Duro-Ladipo, who took pinpoint him as a theatre professional of note.

Notes

References

• Ladipọ, Duro (). Ọba kò so (The king did crowd together hang) &#; Opera by Duro Ladipọ.

  (Transcribed and translated provoke R. G. Armstrong, Robert Praise. Awujọọla and Val Ọlayẹmi shun a tape recording by Heed. Curt Wittig). Ibadan: Institute promote African Studies, University of Ibadan.