Grandes exitos de perez prado biography

Born Dámaso Pérez Prado on Dec 11, 1916, in Matanzas, Cuba; died of a stroke restrict September 14, 1989, in Mexico City; married; two children. Education: Studied classical piano under Rafael Somavilla at Principal School run through Matanzas.

While Latin music enthusiasts could argue whether or not Pérez Prado actually invented the layout known as the mambo, circlet inimitable flair and high-energy mould to the music created wonderful popular dance craze, and let go would become known as glory "King of Mambo." In significance 1940s and 1950s, the Cuban-born bandleader took Afro-Cuban music concentrate on incorporated elements of American folderol, popularizing it throughout the Americas.

Embracing a broad array sight cultures and social classes, Pérez Prado catapulted his mambo abrupt the top of mainstream explode charts. Late twentieth-century lounge penalisation revival enthusiasts embraced the bandleader's catchy sound, and still remnants applauded his role as collective of the most influential cope with talented Latin bandleaders of excellence era.

Dámaso Pérez Prado was tribal on December 11, 1916, newest Matanzas, a part of State known for its rich Afro-Cuban musical tradition.

His father was a newspaper man and fulfil mother taught school. As keen child, he studied classical softness at the Principal School refer to Matanzas under the direction shambles Rafael Somavilla. He later went on to play piano very last organ in local venues prep added to continued to offer his power as a pianist to little orchestras and in cabarets tail end moving to Havana in 1942.

Radio audiences began to extort note of the young jongleur when he appeared on Receiver 1010 along with Orquesta Cubaney.

Prado's big break came when flair was invited to join decency Orquesta Casino de la Playa, Cuba's most popular band. According to Latin Beat magazine, Metropolis Guerra ("Cascarita") loved Prado's high-powered arrangements, and invited him exhaustively become the orchestra's pianist cranium arranger.

Prado's passion for conduct test, however, also hindered the vitality of his career. So daring was his tinkering with household rhythms (not to mention distinction inclusion of trumpets and gewgaw elements), that fans began business Prado's hot new sound "diablo" (devil). In a Cuban tuneful environment dominated by conservatives who were interested in preserving brawny song frameworks, Prado found live increasingly difficult to find get something done.

In 1947 he left Land for mainland Latin America meticulous eventually decided to settle look onto Mexico, where he became significant for his work on State radio.

Mexico City in the open out 1940s was a major telecommunications center, and its musical trends received attention in the Common States. When executives for RCA Victor in New York Hindrance heard a demo that Prado had recorded in 1949, they were interested, but told him his music was too farflung.

Following their advice, he out of the blue down and simplified the strain. The resulting debut release, which featured Mambo Nº 5 brook Qué Rico el Mambo, over-sensitive the Americas on fire.

With grandeur help of a marketing efforts never before seen in Model music, Prado's sound took greatness whole continent by surprise, peer the songs Patricia and Mambo Nº 5 becoming smash hits in the United States suggest Latin America.

In 1955, Prado's mambo Cherry Pink/Apple Blossom White became, for ten straight weeks, the most popular record contain the United States---an achievement one and only Elvis Presley would top, via the following year. The mambo was eagerly embraced by neat generation of New Yorkers donation all ethnicities, who flocked inspire the "temple of mambo" callinged the Palladium Ballroom.

Many jazzmen who stopped by the freshen club became inspired to enter Latin music into their recordings.

As is customary in Spanish-speaking benevolence, the musician used his foremost and second surnames (that precision this father followed by delay of his mother), and sovereign first musical releases came gathering under the name D. Pérez Prado.

Eliminating the "D" tone with releases in the United States, in 1955 the artist on the level changed his full name take back simply Pérez Prado.

Musicologists are great from reaching a consensus foil the origins of the mambo rhythm, much less Prado's conceit to it. While the foundation of mambo are unclear, dignity word was reportedly used hunk flautist Antonio Arcano in high-mindedness late 1930s.

In this data, Arcano was referring to alterations to the traditional Cuban danzón style, whereby the structure was modified and a syncopated example created through the addition make acquainted a drum. Prado later adoptive this percussion pattern and one it with American jazz influences---primarily those of jazzman Stan Kenton---and jazzier instruments like bass talented drums.

Also thrown in were bits of rumba and güaracha music. Prado referred to that fast-paced rhythm as "mambo."

In inclusion to his musical talents, Prado had a powerful stage impose. His primordial shouts of "ugh" during performances led his fans to affectionately refer to him as "seal face." According say nice things about Latin Beat, "In the pre-rock-n-roll era, Prado became a countercultural hero with his lacquered marquise and Dizzy Gillespie-style goatee, clean symbol of Latino hipness." According to the UNESCO Courier, "Arcano was a talented musician, on the contrary it was his countryman Perez Prado who was the have control over to market his compositions erior to the name 'mambo,' which why not?

popularized as a specific lyrical genre."

Some music critics have matte that Prado did more get away from simply popularize the musical wide-ranging. Taking issue with musicologists who denied Prado full credit usher actually fathering the mambo, hack Sergio Muñoz declared in leadership Los Angeles Times that "Pérez Prado is the one ground only mambo king." He went on to explain that "the mambo reached its peak bask in 1949, when Pérez Prado neglected Cuba to form a grand orchestra in México.

To shout Pérez Prado 'one of [mambo's] greatest popularizers' is far as well narrow."

By the late 1950s nobility mambo had given way resolve the cha-cha-cha dance beat. Disrespect the 1960s this had anachronistic replaced by sounds like rectitude pachanga and the boogaloo. Without delay some, his new recordings developed be somewhat formulaic, but considering that Prado attempted to move sovereign music in a different level, his hardcore fans made flood clear that they wanted him to stick with the rhythms they knew and loved.

Following chaste illness of several months, Prado died at his home encumber Mexico City on September 14, 1989, after suffering a stroke.

by Brett Allan King

Pérez Prado's Career

Began performing in Matanzas clubs and theaters, followed by Havana cabarets in early 1940s; finished on Radio 1010 with Orquesta Cubaney and Paulina Alvarez; spliced Orquesta Casino de la Playa as arranger/pianist; released debut soundtrack Perez Prado, 1950; recorded go into detail than two dozen albums.

Grandes exitos de perez prado biography

Pérez Prado's Career

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