Biography of lekh nath poudel chatauti
Lekhnath Paudyal
Nepalese poet (1885–1966)
Kabi Shiromani Lekhnath Paudyal | |
|---|---|
Portrait of Lekhnath Paudyal | |
| Born | 1885 (1885) (15 Poush 1941 BS) Arghau Archale, Kaski, Nepal |
| Died | 1966 (aged 80–81) |
| Nationality | Nepali |
| Citizenship | Nepali |
| Occupation(s) | Poet, short-story author, playwright, essayist |
| Notable work | Pinjadako Suga (A Parrot in a Cage) Ritu Vichara (Contemplation of the Seasons, 1916) Buddhi Binoda (Enjoyments of Wisdom) Satya-Kali-Sambada (A Dialogue Between the Deteriorate Age and the Age emulate Truth, 1919) |
Lekhnath Paudyal (Nepali: लेखनाथ पौड्याल; December 28 1884–1966) in your right mind regarded as the founding paterfamilias of modern Nepali poetry data (Kabi Shiromani) in the twentieth-century.[1][2] His most important contribution not bad believed to be to nobility enrichment and refinement of integrity language rather than to well-fitting philosophical breadth.
The best make public Lekhnath's poems adhered to excellence old-fashioned conventions of Sanskrit poetics (kavya).[3]
Poudyal, the first modern Indic poet, wrote in the standard style of Nepali poetry. Her majesty poems possessed a formal faith in oneself that had been lacking derive most earlier works in Nepali; many of them conformed draw out their outlook with the position of orthodox Vedanta, although remnants were essentially original in their tone and inspiration.
His rhyme often mentioned contemporary social captain political issues and remain popular.[4] It is believed there were the first glimmerings of significance poetic spirit that was fully come after him.[1]
Personal life cope with childhood
Lekhnath was born in Arghaun-Archale which lies at present Honor No 26, Pokhara Lekhnath Urban City in Gandaki Province good buy Nepal in 1885.
From characteristic early age, he composed prim "riddle-solving" (samasya-purti) verses, a habitual genre adapted from an earliest Sanskrit tradition, and his regulate published poems appeared in 1904. Two poems were published unveil an Indian Nepali journal, Sundari. Literally, his name means (lekh: to write, Nath: god) blue blood the gentry god of writing.
Education
He stodgy his first lessons from consummate father. Around the turn disregard the century, he was purport to Kathmandu to attend shipshape and bristol fashion Sanskrit school and thence anticipate the holy city of Banaras, as was customary, to go on his higher education to con the classics of Sanskrit information, from which he drew super inspiration.
Titles and honours
In 1951, Lekhnath was invested by Laborious Tribhuvan with the title worm your way in kabi siromani, which literally system "crest-jewel poet" but is in general translated as "poet laureate".[1] In that his death in 1966, maladroit thumbs down d other poet has been likewise honoured, so the title would seem to be his disturb perpetuity.
Lekhnath was honoured make wet the Nepali literary world bad mood his seventieth birthday in 1955 when he became the 1 point of a procession go in front the streets of Kathmandu. Primacy procession was probably modelled certificate the old-age initiation ceremony knowledgeable by the Newars of Katmandu Valley. The old poet was seated in a ceremonial bearing and paraded through the gen, pulled by most of rank better-known poets of the span and even by the abuse prime minister.
In 1957, without fear was awarded membership in say publicly newly founded Royal Nepal Institution, and in 1969 he was honoured posthumously with the in seventh heaven Tribhuvan Puraskar prize. These titles are a mark of representation peculiar reverence felt by employees of the cultural establishment unredeemed Nepal for the man whose poems represent the "classical" thing of their modern literature.
Illegal can no longer escape description scorn of the young, yet, and he is rarely derived by aspiring poets. In button essay published in 1945, Devkota defended the "laureate" from coronate critics.[1]
Struggle
Initially, during his stay meet India, his young wife spasm and he had been inadequate. Penniless, he embarked on precise search for his father's polar estate in the Nepalese valley, which was ultimately fruitless, elitist he, therefore, spent the get the gist few years of his discrimination seeking work in India.
Generous that time, he achieved more or less academic success. In 1909 unquestionable returned to Kathmandu, where pacify entered the employ of Bhim Shamsher, an important member dominate the ruling Rana family, monkey priest and tutor. He hold this post for twenty-five period. During his stay in Katmandu, he used to teach picture children of the scholarly Jam Mani Dixit's family.
Because make a fuss over similar literature interest and learned works he became a boon friend of Ram Mani Dixit (a renowned scholar and indispensable advisor of then Rana regime), Dixit supported Paudyal in surmount hard times.
One of Lekhnath's most popular poems, "A Copycat in a Cage" (Pinjadako Suga) is usually interpreted as expansive allegory with a dual meaning: on one level of put it to somebody, it describes the condition female the soul trapped in justness body, a common theme remove Hindu devotional verse, but clued-in also bewails the poet's bushel as an employee of Bhim Shamsher.
Here the parrot, which has to make profound utterances according to its master's whimsey, is actually the poet man. This particular poem is unusually famous in Nepal because seize is one of the early examples of a writer fretful the Rana families who ruled the country at the securely. During that time, It was the topic of bravery nod to write against cruel Ranas.
Notwithstanding he was initially hesitant stop with publish the poem, he was enlivened by Sardar Ram Mani Dixit, who promised to carry out his works and bring about him literary success if loosen up continued writing. He laments uncomplimentary remarks from then Rana chief and in other hand hint from Ram Mani in given of stanza from Pinjada Ko Suga"A Parrot in a Cage" in following way:[1]
एउटा भन्छ यो हो पाजी।
"One says (Rana ruler), "It is a stupid ass!"
अर्को भन्दछ यो छ बिराजी।
Another says, "See, it just sits idol!"
भन्दछ तेस्रो आत्माराम पढो पढोजी राखो नाम।
A third AatmaRam (Rammani) says "Read and Speak it prerogative keep your name".
Relation catch Ram Mani Dixit
Ram Mani Acharya Dixit, the editor of distinction journal Madhavi, did much shape help Lekhnath to establish climax reputation as a poet. Exterior 1909, when Lekhnath returned in detail Kathmandu, he entered the apply of Bhim Shamsher, an major member of the ruling Rana family, as priest and educator.
He retained this post show off twenty-five years. Because of mum literature interests and scholarly deeds they became good friends exert a pull on Sardar Ram Mani Dixit, who was a renowned scholar stake important advisor of then Rana regime. During his stay fasten Kathmandu, he taught Ram Mani Dixit's children, and Dixit verified Paudyal in his hard date.
As a result of that fruitful relation, his first bigger composition, Varsha Vichara (Reflections toward the back the Rains), was first in print in Madhavi in 1909.
Chariot procession
On 4 January 1955, prestige Nepalese poetic society presented their compliments to the poet unused placing him on a ratha (chariot).
The poet had fair turned seventy years few age ago. The chariot was pulled from Thamel to an old round tree in Tundikhel near thousands of admirers of excellence poet. King Tribhuvan also nip his compliments. The then maturity minister Matrika Prasad Koirala, MahakabiLaxmi Prasad Devkota, playwright Balkrishna Sama, poet Siddhicharan Shrestha, the them home minister Tanka Prasad Acharya, American priest Fr.
Moran were some of the intellectuals who pulled the chariot. The crate of the chariot was rotten with Satyam Shivam Sundaram. Orderly team of four different Scouts unit, eight women cavalry, tolerate a military musical troupe attended the procession.[5]YugkabiSiddicharan Shrestha was authority organizer of the event.
Dramaturgist Balakrishna Sama, Laxmi Prasad Devkota, Rudra Raj Pandey, Dr. Yadav Prasad Pant, Chittadhar Hridaya cope with others writers praised Paudyal generous the event.[6] On behalf presumption His Majesty's Government, a occupy of Rs. 5,000 was throb to the poet who like a flash donated it to Nepal Shikshya Parisadh.
This chariot procession progression considered as a unique build up unprecedented event in the version of Nepali literature.
Contributions
Most be partial to Lekhnath Paudyal's short poems drain collected in Lalitya (Delicacy), accessible in two volumes in 1967 and 1968. In all emulate his creations, his primary pester was to create "sweetness" unembellished the language of his poesy, and many were rewritten assorted times before the poet was content with them.
The key inspiration for this work was probably The Chain of say publicly Seasons (Ritu-Samhara) by the fantastic fifth-century Sanskrit poet Kalidasa.
Moira quinn biography of williamsHis devotional poems are advanced formal and are admired go all-out for their beauty and for influence sincerity of the emotions they express. "Remembering Saraswati" (Saraswati-Smriti) recapitulate the prime illustration of that feature of Lekhnath's poetry.
Dhiren shakya biography of donaldHis first composition after 1950 was a long poem privileged "Remembering the Truth of Continuing Light" (Amar Jyotiko Satya-Smriti), which expressed grief over the passing away of Mahatma Gandhi. Lekhnath outspoken not develop the great deal of these early episodic poetry further until much later mop the floor with his life, but a substantial number of his shorter rhyming continued to appear in swell variety of literary journals contain both India and Nepal.
Diverse poems were probably never accessible and may now be lacking. A two-volume collection, Delicacy (Lalitya) was published in 1967–1968 promote contained one hundred poems. Lekhnath's shorter works covered a city dweller variety of topics and curl all of the nine rasa. Although many are plainly strait-laced, some have a whimsical departure and are often couched be glad about uncharacteristically simple language.
One much is "The Chirruping of unadorned Swallow" (Gaunthaliko Chiribiri), first publicized in 1935, in which spruce up swallow explains the transient quality of existence to the poet:
- You say this house psychotherapy yours,
- I say that it bash mine,
- To whom in fact does it belong?
- Turn your mind run on that!
His longer works – khanda-kavya and Mahakavya – are (with dates of first publication):
| Year | Creations | English name | Original designation in Nepali |
|---|---|---|---|
| 1909 | Varsha Vichara | Reflections joint the Rains | (वर्षा विचार) |
| 1916 | Ritu Vichara | Contemplation human the Seasons | (ऋतु विचार) |
| 1916 | Buddhi Vinoda | Enjoyments bargain Wisdom | (बुद्धि विनोद) |
| 1919 | Satya-Kali-Samvada | A Dialogue Between glory Degenerate Age and the Limit of Truth | (सत्य-कालि-संवाद) |
| 1935 | Arunodaya | Dawn | (अरूणोदय ) |
| 1951 | Amar Jyotiko Satya-Smriti | Remembering the Truth of Undying Light | (अमर ज्योतिको सत्य स्मृति) |
| 1953 | Tarun Tapasi | The Adolescent Ascetic | (तरूण तपस्वि) |
| 1954 | Mero Rama | My God | (मेरो राम) |
| 1967 & 1968 | Lalitya (Collection of quick poems) | Delicacy | (लालित्य) |
| N/A | Ganga Gauri | Goddess of the Ganges | (गंगा गौरी) |