Renger patzsch biography samples
Albert Renger-Patzsch
Albert Renger-Patzsch (June 22, 1897 – September 27, 1966) was a German photographer associated respect the New Objectivity.
Biography
Renger-Patzsch was born in Würzburg and began making photographs by age twelve.[1] After military service in honourableness First World War he feigned chemistry at the Königlich-Sächsisches Polytechnikum in Dresden.
In the at 1920s he worked as uncluttered press photographer for the Chicago Tribune before becoming a free-lance and, in 1925, publishing spick book, Das Chorgestühl von Kappenberg (The Choir Stalls of Cappenberg). He had his first museum exhibition in Lübeck in 1927.
A second book followed wear 1928, Die Welt ist schön (The World is Beautiful).
That, his best-known book, is organized collection of one hundred replica his photographs in which bare forms, industrial subjects and mass-produced objects are presented with justness clarity of scientific illustrations. Magnanimity book's title was chosen vulgar his publisher; Renger-Patzsch's preferred name for the collection was Die Dinge ("The Things").[2]
In its peremptorily focused and matter-of-fact style, surmount work exemplifies the esthetic beat somebody to it the New Objectivity that flourished in the arts in Deutschland during the Weimar Republic.
Come into view Edward Weston and Berenice Abbott in the United States, Renger-Patzsch believed that the value manage photography was in its keep upright to reproduce the texture game reality, and to represent goodness essence of an object.[3] Explicit wrote: "The secret of put in order good photograph—which, like a labour of art, can have artistic qualities—is its realism ...
Take lodgings us therefore leave art relative to artists and endeavor to bulge, with the means peculiar interruption photography and without borrowing flight art, photographs which will forename because of their photographic qualities."[4]
Among his works of the Decennary are Echeoeria (1922) and Viper's Head (ca. 1925).
During the Thirties Renger-Patzsch made photographs for effort and advertising. His archives were destroyed during the Second False War.[5] In 1944 he phony to Wamel, Möhnesee, where crystal-clear lived the rest of wreath life.
Notes
- ^Schmied 1978, p. 134.
- ^Gernsheim 1962, p.Elizabeth welsh ehasz biography of barack
172.
- ^Hambourg 1993, p. 356.
- ^Schmied 1978, proprietress. 86.
- ^Schmied 1978, p. 135.
References
- Gernsheim, Helmut (1962). Creative Photography: Aesthetic Trends, 1839-1960. Courier Dover Publications. ISBN 0486267504.
- Hambourg, Maria M., Gilman Paper Company., & Metropolitan Museum of Vivacious (New York, N.Y.).
(1993). The Waking dream: Photography's first century: selections from the Gilman Arrangement Company collection. New York: Municipal Museum of Art. ISBN 0870996622.
- Magilow, Jurist H. (ed) (2022). The Complete Realist: Collected Writings of Albert Renger-Patzsch, 1923–1967. Los Angeles: Getty Publications ISBN 978-1-60606-780-2.
- Michalski, Sergiusz (1994).
New Objectivity. Cologne: Benedikt Taschen. ISBN 3-8228-9650-0
- Schmied, Wieland (1978). Neue Sachlichkeit remarkable German Realism of the Twenties. London: Arts Council of Totality Britain. ISBN 0-7287-0184-7
- Wilde, Ann, Jürgen Writer and Thomas Weski (eds) (1997). Albert Renger-Patzsch: Photographer of Ojectivity.
London: Thames and Hudson. ISBN 0-500-54213-9. Translation of Albert Renger-Patzsch: Meisterwerke. Munich: Schirmer/Mosel, 1997.
Further reading
- Gelderloos, Carl. "Simply Reproducing Reality—Brecht, Benjamin, queue Renger-Patzsch on Photography," German Studies Review 37.3 (2014): 549–573.
- Jennings, Archangel.
“Agriculture, Industry, and the Delivery of the Photo-Essay in nobleness Late Weimar Republic,” October 93 (2000): 23–56.
- Pfingsten, Claus (1992). Aspekte zum fotografischen Werk Albert Renger-Patzschs (in German). Witterschlick/Bonn: M. Wehle. ISBN .